Wednesday, October 7, 2015

Word Nerd Wednesday: "Maudlin"

It's Word Nerd Wednesday! This week's word is:

MAUDLIN
adjective: self-pityingly or tearfully sentimental, often through drunkenness.

"When I've had too much to drink, I get all weepy and maudlin."




I first heard this word used in a Velvet Underground song. I'll post the lyrics below. Be sure to check out the Facebook page for the recording. It's totally worth a listen!

The Velvet Underground - "The Gift"

Waldo Jeffers had reached his limit. It was now Mid-August which meant he had
been separated from Marsha for more than two months. Two months, and all he had
to show was three dog-eared letters and two very expensive long-distance phone
calls. True, when school had ended and she'd returned to Wisconsin, and he to
Locust, Pennsylvania, she had sworn to maintain a certain fidelity. She would
date occasionally, but merely as amusement. She would remain faithful.

But lately Waldo had begun to worry. He had trouble sleeping at night and when
he did, he had horrible dreams. He lay awake at night, tossing and turning
underneath his pleated quilt protector, tears welling in his eyes as he
pictured Marsha, her sworn vows overcome by liquor and the smooth soothing of
some neanderthal, finally submitting to the final caresses of sexual oblivion.
It was more than the human mind could bear.

Visions of Marsha's faithlessness haunted him. Daytime fantasies of sexual
abandon permeated his thoughts. And the thing was, they wouldn't understand how
she really was. He, Waldo, alone understood this. He had intuitively grasped
every nook and cranny of her psyche. He had made her smile. She needed him, and
he wasn't there (Awww...).

The idea came to him on the Thursday before the Mummers' Parade was scheduled
to appear. He'd just finished mowing and etching the Edelsons lawn for a dollar
fifty and had checked the mailbox to see if there was at least a word from
Marsha. There was nothing but a circular from the Amalgamated Aluminum Company
of America inquiring into his awing needs. At least they cared enough to write.

It was a New York company. You could go anywhere in the mails. Then it struck
him. He didn't have enough money to go to Wisconsin in the accepted fashion,
true, but why not mail himself? It was absurdly simple. He would ship himself
parcel post, special delivery. The next day Waldo went to the supermarket to
purchase the necessary equipment. He bought masking tape, a staple gun and a
medium sized cardboard box just right for a person of his build. He judged that
with a minimum of jostling he could ride quite comfortably. A few airholes,
some water, perhaps some midnight snacks, and it would probably be as good as
going tourist.

By Friday afternoon, Waldo was set. He was thoroughly packed and the post
office had agreed to pick him up at three o'clock. He'd marked the package
"Fragile", and as he sat curled up inside, resting on the foam rubber
cushioning he'd thoughtfully included, he tried to picture the look of awe and
happiness on Marsha's face as she opened her door, saw the package, tipped the
deliverer, and then opened it to see her Waldo finally there in person. She
would kiss him, and then maybe they could see a movie. If he'd only thought of
this before. Suddenly rough hands gripped his package and he felt himself borne
up. He landed with a thud in a truck and was off.

Marsha Bronson had just finished setting her hair. It had been a very rough
weekend. She had to remember not to drink like that. Bill had been nice about
it though. After it was over he'd said he still respected her and, after all,
it was certainly the way of nature, and even though, no he didn't love her, he
did feel an affection for her. And after all, they were grown adults. Oh, what
Bill could teach Waldo - but that seemed many years ago.

Sheila Klein, her very, very best friend, walked in through the porch screen
door and into the kitchen. "Oh gawd, it's absolutely maudlin outside." "Ach, I
know what you mean, I feel all icky!" Marsha tightened the belt on her cotton
robe with the silk outer edge. Sheila ran her finger over some salt grains on
the kitchen table, licked her finger and made a face. "I'm supposed to be
taking these salt pills, but, " she wrinkled her nose, "they make me feel like
throwing up." Marsha started to pat herself under the chin, an exercise she'd
seen on television. "God, don't even talk about that." She got up from the
table and went to the sink where she picked up a bottle of pink and blue
vitamins. "Want one? Supposed to be better than steak, " and then attempted to
touch her knees. "I don't think I'll ever touch a daiquiri again."

She gave up and sat down, this time nearer the small table that supported the
telephone. "Maybe Bill'll call, " she said to Sheila's glance. Sheila nibbled on
a cuticle. "After last night, I thought maybe you'd be through with him." "I
know what you mean. My God, he was like an octopus. Hands all over the place."
She gestured, raising her arms upwards in defense. "The thing is, after a
while, you get tired of fighting with him, you know, and after all I didn't
really do anything Friday and Saturday so I kind of owed it to him. You know
what I mean." She started to scratch. Sheila was giggling with her hand over
her mouth. "I'll tell you, I felt the same way, and even after a while, " here
she bent forward in a whisper, "I wanted to!" Now she was laughing very loudly.

It was at this point that Mr. Jameson of the Clarence Darrow Post Office rang
the doorbell of the large stucco colored frame house. When Marsha Bronson
opened the door, he helped her carry the package in. He had his yellow and his
green slips of paper signed and left with a fifteen cent tip that Marsha had
gotten out of her mother's small beige pocketbook in the den. "What do you
think it is?" Sheila asked. Marsha stood with her arms folded behind her back.
She stared at the brown cardboard carton that sat in the middle of the living
room. "I dunno."

Inside the package, Waldo quivered with excitement as he listened to the
muffled voices. Sheila ran her fingernail over the masking tape that ran down
the center of the carton. "Why don't you look at the return address and see who
it's from?" Waldo felt his heart beating. He could feel the
vibrating footsteps. It would be soon.

Marsha walked around the carton and read the ink-scratched label. "Ah, god,
it's from Waldo!" "That schmuck!" said Sheila. Waldo trembled with expectation.
"Well, you might as well open it, " said Sheila. Both of them tried to lift the
staple flap. "Ah sst, " said Marsha, groaning, "he must have nailed it shut."
They tugged on the flap again. "My God, you need a power drill to get this
thing open!" They pulled again. "You can't get a grip." They both stood still,
breathing heavily.

"Why don't you get a scissor, " said Sheila. Marsha ran into the kitchen, but
all she could find was a little sewing scissor. Then she remembered that her
father kept a collection of tools in the basement. She ran downstairs, and when
she came back up, she had a large sheet metal cutter
in her hand. "This is the best I could find." She was very out of breath.
"Here, you do it. I-I'm gonna die." She sank into a large fluffy couch and
exhaled noisily. Sheila tried to make a slit between the masking tape and the
end of the cardboard flap, but the blade was too big and there wasn't enough
room. "God damn this thing!" she said feeling very exasperated. Then smiling,
"I got an idea." "What?" said Marsha. "Just watch, " said Sheila, touching her
finger to her head.

Inside the package, Waldo was so transfixed with excitement that he could
barely breathe. His skin felt prickly from the heat, and he could feel his
heart beating in his throat. It would be soon. Sheila stood quite upright and
walked around to the other side of the package. Then she sank down to her
knees, grasped the cutter by both handles, took a deep breath, and plunged the
long blade through the middle of the package, through the masking tape, through
the cardboard, through the cushioning and (thud) right through the center of
Waldo Jeffers head, which split slightly and caused little rhythmic arcs of red
to pulsate gently in the morning sun.

Tuesday, October 6, 2015

Tuesday Throw Down #3

It's time for Tuesday Throw-Down! I give you a prompt and we all  free-write about it for 250 to 500 words. If you want, you can leave your free-write in the comments and on Thursday I will post the best ones of the lot. There might even be prizes involved. Sounds fun, right? When you're finished, please leave your word count at the bottom of the post in parenthesis. Thanks!


Are you ready to write?

Think about the scariest thing that ever happened to you. Was it really scary, or just scary at the time? Write about that event in the third person as though you are watching the events unfold in a movie.

Joyce and Joey are winding their way through the twists and turns of Lake Como Drive in Joyce's Chrystler 5th Avenue on a wet afternoon in June. The rain has slowed from a downpour to a fine mist and the roads are slick and treacherous. The steel body of the cars gives the friends a false sense of security and safety as the zoom along the road.

Joyce loves the way the car hugs the curves of the road as she eases it in and out of the turns. She is young and full of hubris. She is looking forward to the next curve - a particularly sharp one - and she accelerates slightly as she approaches it.

Midway through the turn the tires of her car lose traction with the road and the vehicle begins to spin as it hydroplanes into an open field toward a tree. There is no way for Joyce to regain control. As the car spins through the field, the two friends are silent. They don't even scream. It's either over or it isn't. There's no point in degrading themselves in their last moments if this is the end.

As suddenly as it began the car spins to a stop just before hitting the tree. The two friends are rigid and breathless. They look at one another.

"Don't tell my mother." Joyce says.

"Only if you promise not to tell mine," Joey replies.

They look out the windows of the car and realize that they are right in front of a house.

Joyce turns to Joey. "I wonder if they saw us?"

"Let's get out of here before someone calls the police."

The car is still running, so Joyce lets off the brake and it begins to ease forward in the grass. Thankfully the wet ground did not leave the car stuck. As they begin to drive they notice the huge circles of dirt in the grass where the car had spun.

"I hope whoever owns that field isn't made about the grass." Joyce says as they pull away.

(344 words)

Monday, October 5, 2015

English Major Monday: Dummies and the Uncanny

I have a form of Automatonophobia. Specifically, I do not like ventriloquist dummies. I mean, I REALLY don't like them. They freak me out. A lot. I don't know why exactly. It's not like I had a terrible experience with one at a tender age. I just think the are weird and I don't like being around them. As far as I am concerned, Charlie McCarthy is downright sinister. I can't imagine that anyone finds these little demon seeds charming or entertaining. Still, for reasons I will never understand, people enjoy them. Consider the popularity of both Charlie McCarthy and Howdy Doody. Ick.

Not meant for children. Or adults . . . Or anyone, really.

According to Sigmund Freud and Ernst Jentsch there is a logical reason for my aversion to these horrifying creatures: The Uncanny - specifically, The Uncanny Valley.

The concept of the uncanny, or the unheimlich (un-home-like) is when the mixture of the familiar and the unfamiliar create something peculiar, offputting, or unsettling. Ventriloquist dummies fit this description because they look human-like, they are animate, and yet we know that they are not alive. In this way, they are similar to zombies. Personally, I don't mind zombies as much because they were at least once alive. A dummy was never alive and could never be, yet it has the appearance of life. Freaky.

The Uncanny Valley theory states that as a thing (a robot or something otherwise meant to appear humanoid) becomes more and more human-like the human's response to it becomes more and more positive until a point is reached when the response turns to strong revulsion. In other words, we like things that look like us until they look too much like us but are still clearly not us. What does that sound like?

Ventriloquist Dummies.

I bet you're wondering what all of this has to do with writing, aren't you?

I feel that a sound understanding of this topic would enable writers like you and I to come up with some seriously frightening stories. R.L. Stine managed quite well with his series of  Living Dummy books. There's also Annabelle from The Conjuring and Fats from Magic. Maybe it's just me, but I think these workss are terrifying. It's very effective to take something ordinary and innocuous and make it sinister. If you're looking to scare the pants off of your readers, don't go for monsters and gore. Consider employing the uncanny. There's nothing scarier than the things we see every day.

Sunday, October 4, 2015

Sunday News: Third Edition

Hey there Dear Friends and Gentle Readers! What's new with me?

Well, I'm back from my hiatus and working on some cool things that you'll be seeing around here soon enough. I lucked into a sweet deal with a graphic designer and as soon as my revamped website is live I'll be sharing her contact information. I'm so excited! My site's going to look so professional!

Speaking of professional, I have been working with Schan Ellis on how to get my editing business off the ground. Social media is the key, but it seems that Facebook doesn't want to cooperate right now. For reasons hitherto unknown, I can't invite anyone to like my page. This sucks, but I hope that the issue will be sorted out by this time next week. Incidentally, if you are reading this and you haven't liked Joyce Ann Underwood: Write Like a Rock Star yet, you should. It would be a big help and I would really appreciate it!

As I wait for Facebook to cooperate, I am getting more active on Twitter. Today you will find me posting all about Anne Rice, since it's her birthday. She's 74 and still as awesome as ever. She was the first author who made me think that writing could be a career. She's one of my heroes and ever inspirational. I just love her and her work.

I like her approach to writing. Reminds me of me.

 If you happen to see any of my tweets, be sure to say hi! Who knows - Anne might respond back. She is very active on social media, after all.

I haven't had anything else published yet, but I have begun to prepare myself to read at the Southern Writers Symposium. I bought my ticket last week and I have started practicing my reading. I have to say I'm pretty nervous about the thing, but that's a good thing. I'm also really excited about it!

Well, that's about all the news I have for today. What's new with you? Writing anything? Reading anything interesting? Let me know in the comments!

Saturday, October 3, 2015

Read!

Read! Read! Read!

It's Saturday and where I'm at it's pouring down rain. Thank You, Hurricane Joaquin! Rainy days are perfect for curling up with a good book, watching a movie, or listening to that new album. I consider all of these things to be reading because they all began on the page. Even if you're watching a bad movie, you can learn a little something about writing - most likely what not to do. (Uwe Boll is great for this!)

Inspiration can come from anywhere and anything. Who knows, even the blurb on the back of the cereal box could spark a genius idea. The point is that you should always be consuming words; they are the currency of your craft, after all. Pay attention to them. Take some time today to find a cozy spot and curl up with a good book, movie, or album. Your writing will thank you.


Friday, October 2, 2015

Joyce's Novel: Day 1 of 90

Right now there are 30 days between me and the start of NaNoWriMo. Every year I begin writing a novel in November and every year I fail to finish it. Well, not this year. This year I am going to plan and outline my novel during the month of October. I am going to be prepared to hit the ground running at midnight on November 1. I will finish this year.

I couldn't pick just one. Sue me. 

Today is the first day of my planning and I thought it might be both interesting and worthwhile to bring you all along for the ride. Instead of the NaNoWriMo handbook by Chris Baty (which I own and cannot find) I will be using Book in a Month by Victoria Schmidt. I will be planning the novel for 30 days, writing it for 30 days, and revising it for 30 days. I will have a complete novel by January 1 and I think that's pretty exciting. Feel free to plan, write, and revise along with me. Let's get started, shall we?

The first thing Schmidt advised her readers to do is write a "One-Sentence Story Summary" which will serve as the anchor for everything else you will write. This one little sentence will keep your story focused and prevent you from going off on tangents. If you want to write a scene, first ask if it has anything to do with your One-Sentence Story Summary. If it does not, then the scene is superfluous.

Here's my One-Sentence Story Summary:

"Three offbeat, music loving teens in a rural southern town are accused of a crime they didn't commit."

Next,  we're going to think about some basic self esteem questions.

Why do you want to write?
 - I want to write because it's all I've ever really wanted to do and it's one of the only things that I feel like I'm really good at.

Why do you have to write?
- I have to write because I have a voice and I have stories to tell. I have to write because I can't not.

How will your life be different after you finish this manuscript? What will change?
- My life will be different in that I will have written a whole novel. I don't think much will change. Unless I get a big publishing contract. Then I'll be rich!

How will you feel about yourself after you finish this manuscript? (Will you have more confidence?)
- I will feel so freaking proud and accomplished. I will probably feel more confident and less like a fraud.

How will this feeling help you accomplish other things in life?
- I think yes. I think this might be the catalyst for a lot of changes. We'll see, won't we?

These are my answers. What about you? Let me know what you think in the comments!

Thursday, October 1, 2015

#ThrowBackThursday: Sexy Irish Poetry

Here's an old poem I wrote when I was feeling particularly powerful and sexy. Most of my poetry has a sexy aspect to it, because I'm one of those women who feels empowered by her sexuality. I don't think this is an altogether bad thing. I just worry that it makes me a one trick pony when it comes to poetry.

This poem marries the theme of sexuality with images from Irish history. I used to be quite knowledgeable about Irish history and Michael Collins in particular. Something about Ireland's fight for independence from England has always fascinated and inspired me. In this poem I reference the famed freedom fighter Michael Collins and his place of death: Be'al na Bla'th. If you want to know more about these things, you should check out the link above.

Now for the poem. Enjoy!


Be’al na Bla’th

I think far too highly of rakish young men
With a certain slant of nose or sideways smile
They all become Michael Collins in my eyes
Tho’ the only eyes that burn with fire are mine

These young men grab hold of my notions and run
Thinking they’re some sort of scholar or prophet or hero
Underestimating me entirely – not knowing or remembering
That all they ever were is everything I am

Before too long these rakish young men have traded
My free state for a Republic – a country united
So I lure them so sweetly, so softly, discreetly
To the fields at Be’al na Bla’th.

For the sparks behind their eyes
Were born of the fire in mine
Sparks sputter and fade
But embers never die

My body waits atop the hill
My hips are but hands that hold the gun
Eyes grow narrow as thighs do part
My words they pierce the tender flesh
I made and unmade all these rakish young men
I lost the Free State and the Republic
So what have I really won?

Michael Collins