Not meant for children. Or adults . . . Or anyone, really. |
The concept of the uncanny, or the unheimlich (un-home-like) is when the mixture of the familiar and the unfamiliar create something peculiar, offputting, or unsettling. Ventriloquist dummies fit this description because they look human-like, they are animate, and yet we know that they are not alive. In this way, they are similar to zombies. Personally, I don't mind zombies as much because they were at least once alive. A dummy was never alive and could never be, yet it has the appearance of life. Freaky.
The Uncanny Valley theory states that as a thing (a robot or something otherwise meant to appear humanoid) becomes more and more human-like the human's response to it becomes more and more positive until a point is reached when the response turns to strong revulsion. In other words, we like things that look like us until they look too much like us but are still clearly not us. What does that sound like?
Ventriloquist Dummies.
I bet you're wondering what all of this has to do with writing, aren't you?
I feel that a sound understanding of this topic would enable writers like you and I to come up with some seriously frightening stories. R.L. Stine managed quite well with his series of Living Dummy books. There's also Annabelle from The Conjuring and Fats from Magic. Maybe it's just me, but I think these workss are terrifying. It's very effective to take something ordinary and innocuous and make it sinister. If you're looking to scare the pants off of your readers, don't go for monsters and gore. Consider employing the uncanny. There's nothing scarier than the things we see every day.
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